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I have the same issue with going from the Canon 7D2 to the Canon R5 using my EF70-200 lens. I have had a lot of vignetting rejections of late from my trip to LHR. While you can fix a certain amount with the RAW image, there is only so much you can do. I have taken the option of zooming out a little and cropping more.
Yes it is a good solution but it could be a problem if you have an APS-C instead of a full frame
I'd rather give up most of the aerial shots. I think there's something wrong with the equipment, seeing that the air and the ground are sometimes like that. It can't be solved.
Will this kind of photo be rejected as vignetting?
use tamron 150600 with 1.5 dx crop in body mode.
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under pic used 1:1 with nikon 200500
maybe below is will accpted and above pic will rejected?
I have vignetting with my Canon 6D2 and 100-400mk2 lens, so it's a universal problem. I shoot in RAW and then use Adobe Camera Raw to interface with Photoshop. ACR has lens correction features which includes vignetting, and does a pretty decent job but it's not always perfect, especially when shooting at 400mm.
Will this kind of photo be rejected as vignetting?
use tamron 150600 with 1.5 dx crop in body mode.
/
under pic used 1:1 with nikon 200500
maybe below is will accpted and above pic will rejected?
I have the same issue with going from the Canon 7D2 to the Canon R5 using my EF70-200 lens. I have had a lot of vignetting rejections of late from my trip to LHR. While you can fix a certain amount with the RAW image, there is only so much you can do. I have taken the option of zooming out a little and cropping more.
I use the Nikkor Phase Fresnet 500mm prime on both full-frame and crop Nikon bodies. If I'm shooting in bright sunlight with no cloud background (effectively into outer-space) I get weird bright and dark vignetting which I believe comes from the "lighthouse like" structure of the phase fresnet lens.
Thanks for opening these topic, I do have similar problem:
Use the canon R5 and the brand new 100-500 from canon. I also get vignetting, probably higher f stop (f8 as mentioned) helps a bit. Most occures with perfect blue sky and perfect sun. Have the feeling the more zoom the mor the vignetting.
Are there similar notofication by somone here for the same lens?
It seems that zooms are not designed for us spotters
Thanks for opening these topic, I do have similar problem:
Use the canon R5 and the brand new 100-500 from canon. I also get vignetting, probably higher f stop (f8 as mentioned) helps a bit. Most occures with perfect blue sky and perfect sun. Have the feeling the more zoom the mor the vignetting.
Are there similar notofication by somone here for the same lens?
I am on a Canon 5D4 + Sigma 150-600C combo, at the 600mm end especially shooting with blue sky in the background it can get pretty bad. Small aperture definietly help, but still noticable even at f10 or f11 depends on the background.
Adobe camera raw can fix it to some extend but can 'overdone' it and sometimes can be quite a headache, worth trying different "percentage" with the vignetting slider and see what works out better.
I would pretty much appreciate what Enzo and James have mentioned above especially since my old gear was the same as that of James and lens correction itself is very powerful. I used to have a Canon EOS 90D + Sigma 150-600 combo and I would personally say that vignetting could relatively be less of a problem on ASP-C cameras although you can't fully get rid of it. For most of the time as long as you could find the camera and lens profile in Camera RAW (which also depends on your workflow), it shouldn't be a huge problem to fix.
I have vignetting with my Canon 6D2 and 100-400mk2 lens, so it's a universal problem. I shoot in RAW and then use Adobe Camera Raw to interface with Photoshop. ACR has lens correction features which includes vignetting, and does a pretty decent job but it's not always perfect, especially when shooting at 400mm.
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