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This is just plain wrong...
Article: http://www.washingtonpost.com/wp-dyn...2003Jun18.html
LOS ANGELES, June 18 -- In the hours after the terrorist attacks of Sept. 11, a bold, forceful President Bush orders Air Force One to return to Washington over the objections of his Secret Service detail, telling them: "If some tinhorn terrorist wants me, tell him to come and get me! I'll be at home, waiting for the bastard!"
Well, the president didn't actually speak those words. But it's close enough for the Hollywood version of events. In a forthcoming docudrama for the Showtime cable network, an actor playing the president spits out those lines to his fretful underlings in a key scene.
The made-for-TV film, "D.C. 9/11," is the first to attempt to re-create the events that swirled around the White House in the hours and days immediately after the strikes on the Pentagon and the World Trade Center.
The quintessentially American story was shot primarily in Toronto, where drafts of the movie's dialogue were leaked to the Globe and Mail newspaper.
Sources here confirmed the generally heroic portrayal of the president and his aides, including the dramatic scene in which Bush is hopscotching the country in Air Force One as a security precaution. When a Secret Service agent questions the order to fly back to Washington by saying, "But Mr. President -- , " Bush replies firmly, "Try 'Commander in Chief.' Whose present command is: Take the president home!"
The two-hour film, to air around the second anniversary of Sept. 11, 2001, stars Timothy Bottoms as Bush, reprising a role Bottoms played for laughs on the short-lived Comedy Central series "That's My Bush!," which went off the air a week before the Sept. 11 attacks. Many of the movie's secondary roles, such as Vice President Cheney and Secretary of State Colin Powell, are played by obscure New York and Canadian actors. Among the familiar faces in the cast are Penny Johnson Jerald (she plays the president's ex-wife on the Fox series "24"), who appears as national security adviser Condoleezza Rice, and George Takei (Sulu on the original "Star Trek" series), who plays Transportation Secretary Norman Mineta. The movie's veteran director, Daniel Petrie, made such films as "Eleanor and Franklin," "Sybil" and "A Raisin in the Sun."
The writer-producer of "D.C. 9/11," Lionel Chetwynd, declined to discuss specific scenes or dialogue in the film. But he defended its general accuracy, saying: "Everything in the movie is [based on] two or three sources. I'm not reinventing the wheel here. . . . I don't think it's possible to do a revision of this particular bit of history. Every scholar who has looked at this has come to the same place that this film does. There's nothing here that Bob Woodward would disagree with." Woodward, a Washington Post assistant managing editor, is the author of "Bush at War," a best-selling account of the aftermath of Sept. 11.
Chetwynd said his approach to the post-Sept. 11 story was similar to that of a 1974 TV movie, "The Missiles of October," a dramatization of the showdown between President Kennedy and Soviet Premier Nikita Khrushchev over Soviet missile emplacements in Cuba in 1962. "This is about how George Bush and his team came to terms with the reality around them and led the country in a new direction," he said.
He noted that the take-me-home scene is based on actual events. "Did [the president] assert his right to go home? Did the president decide to overrule the Secret Service? Yes, he did."
But the movie, which includes some documentary news footage, has already drawn scattered criticism. Writing in the Toronto Sun, columnist Linda McQuaig compared it to Hollywood's mythologizing of figures like Wyatt Earp and added that it "is sure to help the White House further its two-pronged reelection strategy: Keep Americans terrified of terrorism and make Bush look like the guy best able to defend them." And Texas radio commentator and self-styled populist Jim Hightower has derided "D.C. 9/11." On his syndicated radio program this week, Hightower said the movie will present Bush as "a combination of Harrison Ford and Arnold Schwarzenegger. . . . Instead of the doe-eyed, uncertain, worried figure that he was that day, Bush-on-film is transformed into an infallible, John Wayne-ish, Patton-type leader, barking orders to the Secret Service and demanding that the pilots return him immediately to the White House."
Neither McQuaig nor Hightower has actually seen "D.C. 9/11," notes Chetwynd, a Canadian emigrant whose earlier films ("Hanoi Hilton," "The Siege at Ruby Ridge," "Kissinger and Nixon") have often touched on national politics and policy.
However, Chetwynd acknowledges that he began the project as a "great admirer" of the president. Chetwynd is among the few outspokenly conservative producers in Hollywood, and one of the few with close ties to the White House. His 2000 Showtime film "Varian's War" (about an American who rescued French Jews from the Nazis) was screened at the executive mansion for the president and Mrs. Bush. In late 2001, President Bush appointed him to the President's Committee on the Arts and the Humanities.
In researching "D.C. 9/11," Chetwynd had access to top White House officials, including Bush. What's more, Chetwynd ran the script past a group of conservative Washington pundits, including Fred Barnes, Charles Krauthammer and Morton Kondracke.
But he insists that only he and Showtime had control over the film's content and tone. "This isn't propaganda," he says. "It's a straightforward docudrama. I would hope what's presented is a fully colored and nuanced picture of a human being in a difficult situation."
Article: http://www.washingtonpost.com/wp-dyn...2003Jun18.html
LOS ANGELES, June 18 -- In the hours after the terrorist attacks of Sept. 11, a bold, forceful President Bush orders Air Force One to return to Washington over the objections of his Secret Service detail, telling them: "If some tinhorn terrorist wants me, tell him to come and get me! I'll be at home, waiting for the bastard!"
Well, the president didn't actually speak those words. But it's close enough for the Hollywood version of events. In a forthcoming docudrama for the Showtime cable network, an actor playing the president spits out those lines to his fretful underlings in a key scene.
The made-for-TV film, "D.C. 9/11," is the first to attempt to re-create the events that swirled around the White House in the hours and days immediately after the strikes on the Pentagon and the World Trade Center.
The quintessentially American story was shot primarily in Toronto, where drafts of the movie's dialogue were leaked to the Globe and Mail newspaper.
Sources here confirmed the generally heroic portrayal of the president and his aides, including the dramatic scene in which Bush is hopscotching the country in Air Force One as a security precaution. When a Secret Service agent questions the order to fly back to Washington by saying, "But Mr. President -- , " Bush replies firmly, "Try 'Commander in Chief.' Whose present command is: Take the president home!"
The two-hour film, to air around the second anniversary of Sept. 11, 2001, stars Timothy Bottoms as Bush, reprising a role Bottoms played for laughs on the short-lived Comedy Central series "That's My Bush!," which went off the air a week before the Sept. 11 attacks. Many of the movie's secondary roles, such as Vice President Cheney and Secretary of State Colin Powell, are played by obscure New York and Canadian actors. Among the familiar faces in the cast are Penny Johnson Jerald (she plays the president's ex-wife on the Fox series "24"), who appears as national security adviser Condoleezza Rice, and George Takei (Sulu on the original "Star Trek" series), who plays Transportation Secretary Norman Mineta. The movie's veteran director, Daniel Petrie, made such films as "Eleanor and Franklin," "Sybil" and "A Raisin in the Sun."
The writer-producer of "D.C. 9/11," Lionel Chetwynd, declined to discuss specific scenes or dialogue in the film. But he defended its general accuracy, saying: "Everything in the movie is [based on] two or three sources. I'm not reinventing the wheel here. . . . I don't think it's possible to do a revision of this particular bit of history. Every scholar who has looked at this has come to the same place that this film does. There's nothing here that Bob Woodward would disagree with." Woodward, a Washington Post assistant managing editor, is the author of "Bush at War," a best-selling account of the aftermath of Sept. 11.
Chetwynd said his approach to the post-Sept. 11 story was similar to that of a 1974 TV movie, "The Missiles of October," a dramatization of the showdown between President Kennedy and Soviet Premier Nikita Khrushchev over Soviet missile emplacements in Cuba in 1962. "This is about how George Bush and his team came to terms with the reality around them and led the country in a new direction," he said.
He noted that the take-me-home scene is based on actual events. "Did [the president] assert his right to go home? Did the president decide to overrule the Secret Service? Yes, he did."
But the movie, which includes some documentary news footage, has already drawn scattered criticism. Writing in the Toronto Sun, columnist Linda McQuaig compared it to Hollywood's mythologizing of figures like Wyatt Earp and added that it "is sure to help the White House further its two-pronged reelection strategy: Keep Americans terrified of terrorism and make Bush look like the guy best able to defend them." And Texas radio commentator and self-styled populist Jim Hightower has derided "D.C. 9/11." On his syndicated radio program this week, Hightower said the movie will present Bush as "a combination of Harrison Ford and Arnold Schwarzenegger. . . . Instead of the doe-eyed, uncertain, worried figure that he was that day, Bush-on-film is transformed into an infallible, John Wayne-ish, Patton-type leader, barking orders to the Secret Service and demanding that the pilots return him immediately to the White House."
Neither McQuaig nor Hightower has actually seen "D.C. 9/11," notes Chetwynd, a Canadian emigrant whose earlier films ("Hanoi Hilton," "The Siege at Ruby Ridge," "Kissinger and Nixon") have often touched on national politics and policy.
However, Chetwynd acknowledges that he began the project as a "great admirer" of the president. Chetwynd is among the few outspokenly conservative producers in Hollywood, and one of the few with close ties to the White House. His 2000 Showtime film "Varian's War" (about an American who rescued French Jews from the Nazis) was screened at the executive mansion for the president and Mrs. Bush. In late 2001, President Bush appointed him to the President's Committee on the Arts and the Humanities.
In researching "D.C. 9/11," Chetwynd had access to top White House officials, including Bush. What's more, Chetwynd ran the script past a group of conservative Washington pundits, including Fred Barnes, Charles Krauthammer and Morton Kondracke.
But he insists that only he and Showtime had control over the film's content and tone. "This isn't propaganda," he says. "It's a straightforward docudrama. I would hope what's presented is a fully colored and nuanced picture of a human being in a difficult situation."
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